About This Episode
Austin and Jay Anderson explore the idea that ancient civilizations may have experimented with forms of sound-based engineering — including acoustics, vibration, and resonance — that modern science is only beginning to revisit. Jay shares stories from Tibet, Nepal, and other traditions where large instruments and harmonic arrangements were used in ways that resemble concepts like cymatics and geometric resonance. From the architecture of temples and cathedrals to the patterns found in stained glass, the conversation looks at how sound and geometry appear together across cultures. They discuss the possibility that earlier societies intuitively understood aspects of vibration and frequency long before modern physics began studying them. This midlength clip focuses on the intersection of ancient tradition, acoustic knowledge, and emerging scientific frontiers. Full episode with @ProjectUnity https://youtu.be/O5Y-A-fWqhU #austinandmattpodcast #austinandmatt #podcastclips #podcast #AncientKnowledge #SoundScience #Resonance #Cymatics #Geometry #History #Acoustics #ScienceAndTradition #Exploration #Educational
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Full Transcript
Do you think it might be to throw us off the trail of the technology that maybe that group had before before our current civilization? Because one reason I would want to well, one reason I'd want to erase giants from the public like memories is if those giants had tech that I would like to monopolize and just have for myself. You know what I mean? Could it be to just throw us off the trail of that? Because we're not going to go look for it if we don't think they existed. Yeah. I mean, it's all guesswork because we don't know if they had technology and you know, we don't know what they I mean, there's a lot of suspicion, I suppose you could say, and a lot of uh, you know, suggestive evidence towards the use of sound and acoustics and strange technologies that leveraged acoustics in ways that allowed uh, you know, stones to be moved easier or perhaps even to soften them down a little bit. And, you know, there could be these elements. This is very interesting. You know, when you go out into places like Nepal and Tibetum and you speak to these like monks and and Buddhists who have these uh incredible histories of using the Tibetan horns, you know, these gigantic Tibetan horns are like this of a room. And uh there's some stories about, you know, very secretive monasteries out in the high mountains that are able to levitate stones through specifically arranging all of these monks in geometries with the correct tools and the correct instruments. And I think that there's definitely a sound science that's been kept within certain theological traditions quite quietly that's been picked up on. I mean, you see it very clearly once you understand simatic geometry, the geometry of sound, the uh the the uh geometric patterns that are created by different frequencies of acoustics. Because once you start looking at those different patterns that get created by acoustic vibration, you start seeing them in churches and temples and cathedrals all over the world. the stained glass windows, the geometry of the actual structure itself is a simatic geometry. It's a it's a language of sound, which would tell us what that perhaps this is a language of spirit. That the real language of spirit is through sound and vibration. Well, what did Tesla say? He said if you want to understand the secrets of the universe, you have to think in terms of energy and vibration and frequency. And I think this is something that was tapped into by our ancestors intuitively. And that led them to very radical ideas and abilities to actually uh you know kind of bring things into reality that we can't understand right now because even at our extremely advanced levels of science we're on the bleeding edges of things like quantum mechanics and quantum bioysics and it's in those arenas right on the edge of development that we're going oh it's actually very similar to what the mystics and the sufis and the high llamas have been saying for thousands of years. So, it feels like we're on what Terrence McKenna would call the archaic revival, kind of bringing back a lot of this ancient knowledge through the lens of modern science. And I think there's a lot of lost science and missed corridors of science that we haven't gone down in our time that have been explored in previous times.